N/A N/A ( 6.6)

The biggest stars, the most iconic performances, the most outrageous outfits – it’s Britain’s number one pop show.

N/A N/A ( 8)

N/A N/A ( 6)

The clock is ticking as contestants compete in games of lexical dexterity and numerical agility.

Rhea 1982

In Rhea (1982), Askevold elaborates on his interest in allusion and implication, using images that seem to be fragments of a larger narrative to suggest, rather than tell, a story. This piece consists of a series of close-up shots of numerous people, each stating a name or phrase. The shots gesture towards the type of staged reaction shot, often used in soap operas or made-for-TV movies, interrupting the linearity of the story.