A harsh dose of cinematic realism about a harsh time – the Bosnian War of the 1990s – Juanita Wilson's drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable.
A run-down hotel room, a piano, a maid and the guests who stay there. Life begins, life ends, and lives are changed forever in the piano room.
This is a feature about one discontinued and one started love, with passion and betrayal floating between them. Kata and Djidji live their own life, escaping the absurd sins of the past. But then Alavantie discovers some new clues that lead to the case in which a group of students is liquidated. One of those 5 innocent boys had a relationship with Kata. The long kept secret is finally here. The end of damnation is approaching.
