The series’ latest Harald Vogl feature (from 1984) completes the filmmaker’s gradual movement away from narrative toward a vérité-style essay film. Gone are the post-punk streets of the East Village, replaced with on-the-ground footage of antiwar protests and visitors to the Vietnam Memorial in Washington DC, and observational scenes of union parades, marching bands, street dancers, and Chinatown residents back in Manhattan.
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Alice Ball, a 23 year-old African American Chemist living in 1915 Hawaii fights against racial and gender barriers to find an effective treatment for leprosy before Kalani, a 10-year-old patient is exiled into the leper colony of Molokai.
