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Jeeves and Wooster is a British comedy-drama series adapted by Clive Exton from P.G. Wodehouse's "Jeeves" stories. It aired on the ITV network from 1990 to 1993, starring Hugh Laurie as Bertie Wooster, a young gentleman with a "distinctive blend of airy nonchalance and refined gormlessness", and Stephen Fry as Jeeves, his improbably well-informed and talented valet. Wooster is a bachelor, a minor aristocrat and member of the idle rich. He and his friends, who are mainly members of The Drones Club, are extricated from all manner of societal misadventures by the indispensable valet, Jeeves. The stories are set in the United Kingdom and the United States in the 1930s.

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Elizabeth I is a two-part 2005 British historical drama television miniseries directed by Tom Hooper, written by Nigel Williams, and starring Helen Mirren as Elizabeth I of England. The miniseries covers approximately the last 24 years of her nearly 45-year reign. Part 1 focuses on the final years of her relationship with the Earl of Leicester, played by Jeremy Irons. Part 2 focuses on her subsequent relationship with the Earl of Essex, played by Hugh Dancy. The series originally was broadcast in the United Kingdom in two two-hour segments on Channel 4. It later aired on HBO in the United States, CBC and TMN in Canada, ATV in Hong Kong, ABC in Australia, and TVNZ Television One in New Zealand. The series went on to win Emmy, Peabody, and Golden Globe Awards. The same year, Helen Mirren starred as Queen Elizabeth II in The Queen, with which she dominated the award season.

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A nun leaves the convent temporarily to help save her family knitting mill from bankruptcy following the death of her brother. Outside the convent she becomes a fairly shrewd businesswoman and feels attracted to one of the men who work at the mill, and thus begins to feel conflict about her religious vows.

Odznak 1949

Jízda králů 1948

Noble and Mundane Prague 1949

A documentary film comparing current / everyday and historical / noble aspects of Prague.

Perspektiva Ivana Mládka 2023

New Hyperion or Liberty, Equality, Brotherhood 1992

From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s ini­mitable point of view.