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Caught between her Roma roots and pressure from her friends, a 17-year-old girl aspires to become a hip-hop musician despite her parents' strict rules.
Majka and Agata have as much in common as they divide. They are both over fifty, going through menopause and do not believe that anything in their lives will change for the better. One lives on the Baltic Sea, the other in the Tatra Mountains. One runs a confectionery shop, the other is a successful interior designer. One is a widow, the other is just left by her partner for a younger woman. One devotes herself to her children and grandchildren, completely forgetting about herself, the other has no family and cares about her spiritual development. One day, the friends meet at the funeral of a high school friend. Agata encourages Majka to spontaneously go to the mountains, and she takes her place. The unexpected role reversal brings a number of complications, funny twists and challenges that the women will have to face.
Lena, a 40-year-old actress freshly divorced, is determined to rebuild her life. Embracing change, she quickly plunges into the vibrant nightlife of Warsaw—and into the arms of Kundel, a young, charismatic student. Their relationship is a passionate explosion where the boundaries between intimacy and desire begin to blur. Meanwhile, Lena’s ex-husband Jan, a respected lawyer, struggles to accept the end of their marriage.
Slovak partisans, bravely fighting against Nazi superiority, would never have succeeded to such an extent if they had not been supported by the villagers. Despite the threat of repression, it is the villagers who care for the wounded, hide them, and behave conscientiously. Although the film was made in the late 1960s, it fully adopts the patterns of partisan stories, perhaps the only thing it can be credited with is a more developed sense of authenticity in the story, characters, and setting.
