Jamol Hoshimov

Jamol Hoshimov

76 (1948-12-30)
Uzbek SSR, USSR

Most Known for...

Movie Picture

Abdulladzhan, or Dedicated to Steven Spielberg 1992 (5.9)

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
Movie Picture

The Bodyguard 1979 (4.5)

The setting is Central Asia during the Russian civil war. In the post-revolutionary twenties, when the power in European Russia was (officially) "fully in the hands of the workers and peasants", but the fight against the Basmachi rebels was in full swing. When a Red Army detachment captures Sultan Mazar, the brains behind the Bazmachi contingent, a decision is made to escort urgently the prisoner to the Bukhara province. The difficult mission is entrusted to a grizzled mountain trapper and conscientious revolutionary called Mirzo. His expertise is essential to traverse the precarious paths and steep mountain ridges along the way, impossible terrain for the inexperienced. A group consisting of Mirzo, his brother Kova, the Sultan, his daughter Zaranghis and slave Saifulla set off on this journey. They are forced to fight on the mountain ridges as well as negotiate the natural dangers and harsh elements.
Movie Picture

Main Day 1974 (5.2)

A film about the friendship between the workers of the Uzbek collective farm 'Leningrad' and the city of Lenin. This friendship has grown stronger and developed over more than four decades. The film takes us back to the distant and difficult 1920s, when the farmers of Fergana sent a wagon of fruits to the workers of the Putilov factory. In return, the workers gifted the collective farm two tractors and sent their representatives to help set up the new machinery.