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Actor James Malloch

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X-Men: Apocalypse 2016 ( 6.515)

After the re-emergence of the world's first mutant, world-destroyer Apocalypse, the X-Men must unite to defeat his extinction level plan.

The Punisher: No Mercy 2013 ( 5.2)

Expect no deals and no mercy as Frank Castle (Shawn Baichoo) pursues his brutal crusade of justice against drug lord, Dominic Duran and his psychotic lieutenant, Vinny Rizzo after they manage to out-maneuver a broken legal system and take out a rival gang using the services of the lethal assassin-for-hire, Elektra (Goldfarb). They think they're above the law, and they may be right, but they're not above punishment. They're not above The Punisher!

My Wacko Parents 2022 ( 4)

Tanya's parents are Russian spies posted as a sleeper's cell to North America. With no mission, they got a lot of time in their hands. So, they spend most of it spying on their daughter.

Actor James Malloch

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Aboriginal Architecture, Living Architecture 2005

Everyone is familiar with certain types of Aboriginal architecture. Traditional igloos and tepees are two of the most enduring symbols of North America itself. But how much do we really know about the types of structures Native Peoples designed, engineered and built? For more than three hundred years, Native communities in North America have had virtually no indigenous architecture. Communities have made do with low-cost government housing and community projects designed by strangers in far away places.

Nbisiing 2020

Afraid he would not see his community again Cole Forrest returns to North Bay from his current residence in Toronto. During his stay he confronts his fears and reconnects with his ancestors. Nbi means water and in the time of this pandemic, it is the lake, medicine, berries, and the land that he looks to for guidance.

Byron Chief-Moon: Grey Horse Rider 2007

Actor, dancer, and choreographer, Chief-Moon is founder of the Coyote Arts Percussive Performance Association, and member of the Blackfoot Confederacy, member of the Blood Band. Through his art and his life, Chief-Moon's story is one of cultural survival. Themes of his dance creations begin with his people's traditional stories, his attachment to the land and his community, as well as the inner conflict he faces in existing within the Aboriginal culture and the wider community. The documentary also explores his identity as a First Nations two-spirited gay man and a father of three adopted children. His art and his life cross boundaries. Challenging the cultural construct is never easy; but Chief-Moon does.