In this collage of simple images from everyday life, such as feet and butterflies, bird and flowers, the pedestrian nature of human origins is found at play amongst images of a compromised nature. From vignettes of machine-fed birds that mirror a fascination with wings, this film reflects on some of the darker fruits of man's desire for the capacity for flight.
This film muses and reflects on a historical period forecast by the painting, 'Impression, Sunrise', 1872, oil on canvas by Claude Monet, which signalled the onset of a dystopian industrial society.
LOON LIGHTS In the habitat of Loons a dynamic force is discovered. Its rhythmic play shifts and darts amongst the elements that host it, sometimes transposing its form in moods that plumb the amplitude of all that is visible by day or night. Chromatic and luminescent intervention surprises moments of pastoral bliss with symphonic shatterings, borne on the medium that is the sustenance of film itself.
