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Don Múnera is a young man from Tolima who ran away from the violence in his region, he tries to live in the big city, but things are not any better, so then travels to the gold mines in Antioquia, meets the people and tries to adapt, despite the dangers in town.
Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.
