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J.A.B. Dubin-Behrmann

J.A.B. Dubin-Behrmann

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The Naked Runner 1967 (6)

Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a trade show and show off his invention, taking his 10 year old son with him for a holiday. Meanwhile a British Intelligence officer who served with Laker in the Second World War decides to use the opportunity of Laker's trip and his lack of an intelligence profile to coerce him into carrying out an assassination.


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Amsterdam Affair 1968

An Englishman in Holland gets involved in a murder case. It looks bad for him, but the wily Inspector Van Der Valk isn't convinced of his guilt.


Richard J. Dubin

Richard J. Dubin

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Adaline, A Exorcisada 2015 (5.1)

Struggling artist finds a century old diary and along with the diary comes the ghost of a girl with unfinished business in the mortal world.


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The World Over 2018 (7.5)

When a reclusive mother-to-be discovers a door leading to a mirror image of her home, her husband goes snooping inside and never returns. Fearing the worst, she gathers her courage and goes in search of him, but instead finds her doppelganger on the other side.


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Darling, Darling, Wendy 2019 (10)

Fifteen years after her trip to Neverland, Wendy Darling is determined to go back for good. But Peter Pan has other ideas.


J. Dubin

J. Dubin

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Horror Story 1993 (6.9)

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.


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