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As children, Leni and Lazar were best friends. When Lazar returns from extensive travels abroad for his father's funeral, Leni yearns to reconnect with her childhood soulmate but still feels the sting of their years of estrangement.
Father Peter fears that the universe has become indifferent. God no longer intervenes in earthly affairs. Peter's wife abandoned him, his son disobeys him and his mother suffers from Alzheimer's and hardly ever recognizes him. When Peter becomes an obstacle to a large property sale in his small island parish, a group of interesting, but vengeful villagers decides to force him to leave. Using very creative methods, they convince the entire superstitious village that Peter is the cause of all the troubles on their island.
Cinematic observations and testimonies intertwine with interpretations of contemporary dancers, the author’s sculptural work, and the voices of actors who lend their voices to non-human protagonists: geological formations, infrastructural objects, and animals. The author of the film, whose family was deported from Yugoslavia to Germany during the Second World War, re-learns the Serbian language, and reflects on the notion of migration and progress.
Our imperative is not an individual's victory - but a better community.. We do not want to overtake you - but to surpass ourselves.. Our results do not point out that we are better - but that you can do it as well.
