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Ivan Dzhambazov

Ivan Dzhambazov

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Rezervat za rozovi pelikani 2004 (5.7)

The film is a children comedy about six fat boys who experience great adventures while fighting hunger. They realize what friendship means and finally turn into little men.


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Hidden Children 2004 (5.9)

This is a true story about forty Jewish children on their way to Palestine, who were blocked by the German and Italian occupation of Yugoslavia in 1941. Before finding a haven at Villa Emma in Nonantola in northern Italy, where they arrived on June 17, 1942, the children spent several adventurous months in Slovenia, caught up in the ongoing fight between the partisans and the Italian army. In April 1943, another 33 children, some from the Balkans, others from France, joined the original group. All were orphans who had lost their parents in concentration camps and had subsequently been smuggled out of Germany by Recha Freier, a well-known Zionist. The group ranged in age from six to twenty one and settled in at Villa Emma with their chaperones and teachers, Josef Indig, Marco Schoky and the pianist Boris Jochverdson.


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24 Hours Rain 1982

A gray border, dull village. Time seems to have stopped in this place. The appearance of a beautiful woman breaks the monotonous way of life and challenges the colorless group of men and makes them come out of their shells.


Ivan Dzhambazov

Ivan Dzhambazov

N/A


Most Known for...

Movie Picture

24 Hours Rain 1982

A gray border, dull village. Time seems to have stopped in this place. The appearance of a beautiful woman breaks the monotonous way of life and challenges the colorless group of men and makes them come out of their shells.


Movie Picture

Razvodi, razvodi... 1989

Razvodi, razvodi... is a 1989 Bulgarian anthology comedy film that delves into the complexities of marital relationships through a series of five short stories, all centered around the theme of divorce. Each segment offers a unique perspective on the emotional and societal facets of separation, blending satire with poignant human experiences.


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Nemirnata ptitza lyubov 1990

A girl walks out as if of Pandora's Box to foretell the drama humankind is to face, paying for all sins, we have been piling up through the ages. A number of directors being parodied take turns to show their take on this drama and relate it to modern life. Getting tangled up in the opposition between the eternal and transient, the base and the sublime, it all turns into a cocktail of an absurd and profound poignancy.


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