Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.
Nikola, a teacher from Belgrade, accepts a job in the remote mountain village of Gornik, unaware that deep-buried secrets await him there. At the same time, Lucija, an ambitious PhD in anthropology, arrives in the village to investigate a community that claims to be descendants of ancient Celts. However, the locals are not ready for change due to their fears and old legends, a mysterious past, and the suspicious motives of the new arrivals.
Andrija and Andjelka , a couple in their mid thirties, are a typical example of what happens when a man and woman live together. Although they are sincerely love each other, they often get on each others nerves, whether in the bedroom, a supermarket or a dinner with friends.
