The director doesn't remember when he recognized his father on TV. This short offers an insight into events such as the arrest of Victor Polay Campos and the 1996 Japanese embassy hostage crisis by contrasting news clips and audio recordings from the director's father, an exiled member of the MRTA.
Try to recover a past that disappeared at the hands of the police, inhabiting/invading a house that, little by little, reveals its alien character. Through my father's voice I recompose and inhabit different spaces of the house, while his story builds the figure of my mother, who spent several years in prison for being part of the Túpac Amaru Revolutionary Movement and whom I saw for the first time at the age of thirteen.
Twenty-three years after the Chavín de Huántar operation, Rafael, Iris and Miguel recount the moments and emotional consequences that the operation had on their lives. The film functions as an accompaniment that looks into the hiding places and debris - emotional and tangible - that no one has stopped to observe, that no one even imagines exist. We have become invisible, except for the “heroes”.
