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Anton Cheremys returns to his hometown, where he has not been for several years. Meeting with the past brings back memories of friends, the woman he loves, and the tragic moments of one disturbing night when he and his team risked their lives to save people.
Communist Ivan Platonov is actively involved in the collectivization of his native land, even the death of his wife does not stop him. One by one, rebellions of discontented peasants break out. Platonov's propaganda work takes on a different quality, the hero takes up arms and is not afraid of death.…
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
