N/A
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
Documentary recounting the life story of Louise Brooks in 5 sections: "Lulu in Toe Shoes"; "Lulu in Hollywood"; "Lulu in Berlin"; "Lulu in Hell"; and "Resurrection".
Clara Bow: Discovering the 'It' Girl features scenes from 25 of her films, as well as interviews with family members and acquaintances.
Tregenza’s second feature takes the form of a highly metaphorical road movie, as the isolated protagonist (Jason Adams) drifts from gainful employment in the East (as an arc welder in Baltimore) to a spiritual apotheosis in the West. “The formal treatment of the material ranges from rapid montage (in the opening sequence) to more conventional editing to lengthy takes without any apparent consistent pattern. Tregenza remains a master cinematographer throughout, and the various ellipses between sequences are often as provocative as the sequences themselves” (Jonathan Rosenbaum).
