In Iran, the traditional and patriarchal society does not permit death notices to bear the image of the deceased. Nahid embarks on a revolution, even though she knows that she will incur the wrath of her family.
From time immemorial, the people of the island used to leave the clothes of their dead to the sea, so that the mother of the sea could turn them into imaginary people. The ignorant Musa finds the gold-embroidered pieces of southern women's trousers among the clothes thrown by the sea on the shore, and with the colorful soils of the island, creates paintings that are his gateway to the fantasy world.
Kwekha and Baji are waiting for their relatives in an abandoned village but for the others, this waiting is nonsense, until…..
