Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.
This comedic musical tells the story of Gabi, a young hairdresser from the Baltic coast who desperately wants to be a jockey. One day, she packs her bags, drives to Hoppegarten, and is soundly rejected by the head coach. Gabi doesn't want to give up, and in order to at least have a roof over her head, she rushes into a marriage with the seemingly nice Freddie. However, this marriage soon proves to be her second rejection, as Freddie openly dislikes the fact that she wants to be a jockey.
The communist and resistance fighter Lorenz Reger, who after the war put all his efforts in the creation of a socialist German state, learns that he has only a short time left to live. Nevertheless, he wants to take on one last difficult new task: He wants to restructure a large firm which has run deep into the red numbers. In a short amount of time, Reger manages to establish mutual trust between the employees and the new management. Furthermore, he motivates the employees with his personal interest for their concerns.
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A paean to alcohol as a means of survival to this world, and to the ephemeral communities created by our need not to be alone. On Christmas Eve, between six in the evening and four at night, Klaus Wildenhahn films people who are excluded from this "must be" celebration, and land up in a bar in St. Pauli, Hamburg: truck drivers and prostitutes, regular or casual customers, a coach and an amateur boxer... all desperately in search of happiness, tenderness and sex.
