Hiroshi Yoshimatsu

Hiroshi Yoshimatsu

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Most Known for...

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Dear Dead Days 1991

A pair of hitmen always bury the people they kill. But on their way home from work, they run over a kitten. A high school girl and her friend start digging a cat's grave in an empty lot. Meanwhile, in the park, a group of young lovers are worried about the disappearance of a cat with the strange name of "common sense and common sense of the street". A midsummer day called today lies between yesterday and tomorrow. The story is an omnibus of three stories about people who are a little bit different from each other. The stylish black-and-white imagery, like a, peek into the world of fables, is strangely matched by the droll dialogue. The smooth development from one episode to the next, and the urban sense of the three pairs of characters, two of whom seem unlikely to exist, shine through.
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LEFT HANDS STORY 1992

A story of two couples that begins in a watch shop. Ishikawa, a cook, and Iwamoto, a waitress, work in a spaghetti house. During a break on an empty embankment, the two have a rather absent-minded conversation. Iwamoto, is there anything you want? 'Well, a hoover...' Meanwhile, Shinichi and Chika are about to rob a bank. Shinichi and Chika are about to rob a bank, and they take a Polaroid photo of themselves for what might be the last time. Chika is worried: "Will I be able to take a bath every day in prison? Their stories proceed in parallel, as they spend the same time in different places. The only thing they have in common is that they both give watches as gifts. The only thing they have in common is that they both give a watch as a gift, a gift that both couples will never forget. One is soft pastel, the other a harsh primary colour. The artist's sensitivity in choosing the colours to suit the story conveys the pure emotions of the lovers of the 1990s in a warm atmosphere.