Lovable Amsterdam street urchin, 11 year old Ciske is nevertheless much in need of love as the Dutch 1984 title suggests. He is a scamp with a heart of gold. He causes havoc in the classroom pouring ink over his teacher yet when a polio-crippled boy joins the class Ciske is one of the only children to befriend him and is bullied as a result. His mother works in a bar and Ciske helps out often late into the night - his father is at sea and his mother supplements her income with prostitution. Ciske is also a very angry young man and he smoulders with rage at life's injustices.
Alfred J. Kwak is a cartoon television series based on a Dutch theatre show by Herman van Veen and was co-produced by VARA, Telecable Benelux B.V. and TV Tokyo and first shown in 1989. It consists of 52 episodes. The series characters were designed by Harald Siepermann. There are also toys and a comic based on the animated series. The series has been broadcast in many countries and has been dubbed and subtitled in Dutch, French, Japanese, Greek, English, Italian, Spanish, Hebrew, Arabic, Hungarian, Finnish, Serbian, Polish, German, Swedish, Danish, Icelandic, Chinese, Czech, Korean and Norwegian. In 1991, Herman van Veen won the Goldene Kamera award for the cartoon.
Princess is the title of a photo novel which will be written by Walter and photographed by Mark. A story of sex and violence which has great success. But Mark falls so much in love with his model that he can't tell her apart from Princess...
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On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.
