Henry Caine

Henry Caine

N/A

N/A

Most Known for...

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Number Seventeen 1932 (5.5)

A gang of thieves gather at a safe house following a robbery, but a detective is on their trail.
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Goodbye, Mr. Chips 1939 (7.373)

A shy British teacher looks back nostalgically at his long career, taking note of the people who touched his life.
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The Small Back Room 1949 (6.7)

At the height of World War II, the Germans begin dropping a new type of booby-trapped bomb on England. Highly skilled but haunted bomb disposal officer Sammy Rice must overcome his personal demons to defeat this new threat.
Henri Cain

Henri Cain

1857-10-11
80 (1937-11-21)
Paris, France

Paris, France

Most Known for...

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Alfano - Cyrano de Bergerac 2007 (5)

While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand's drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose except on behalf of his handsome but inarticulate friend, Christian.
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Cendrillon 2011

Massenet composed his opera about Cenerentola nearly 80 years after Rossini did his. And if you are looking for the outburst of the non-stop hilarity and the musical jokes of Rossini, you won't find it here. Also, while the Cendrillon was highly successful and popular in its time, it does not reach up to the artistic and musical levels offered by Massenet's other operas, like Manon, or Thais or Werther. Nevertheless, this is a delightful opera and it is well presented by The Royal Opera. Laurent Pelly created a ingenious setting with movable walls which are covered [in French] with the story of Cinderella, and which open and close book-like.
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Massenet: Cendrillon 2018

The 2017–18 Live in HD season concluded with an enchanted performance of Cendrillon, Massenet’s glittering operatic adaptation of the Cinderella story. This charming staging by Laurent Pelly, which bursts to life with the director’s characteristic wit and whimsy, stars American mezzo-soprano Joyce DiDonato as the title outcast-turned-princess. Mezzo-soprano Alice Coote offers a touching portrayal of the pants role Prince Charming, while soprano Kathleen Kim shines as the Fairy Godmother. Mezzo-soprano Stephanie Blythe, as the outlandish Madame de la Haltière, and bass-baritone Laurent Naouri, as the haggard Pandolfe, round out the principal cast. On the podium, conductor Bertrand de Billy leads a performance that is equal parts madcap comedy and heartfelt romance.