Movie Cosmos - LookupActor

Actor Helmuth Schneider

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Don't Look Now... We're Being Shot At! 1966 ( 7.9)

During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.

Angelique and the Sultan 1968 ( 6.4)

Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.

Is Paris Burning? 1966 ( 7.2)

Near the end of World War II, Gen. Dietrich von Choltitz receives orders to burn down Paris if it becomes clear the Allies are going to invade, or if he cannot maintain control of the city. After much contemplation Choltitz decides to ignore his orders, enraging the Germans and giving hope to various resistance factions that the city will be liberated. Choltitz, along with Swedish diplomat Raoul Nordling, helps a resistance leader organize his forces.

Actor Helmut Schneider

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Kein Ärger mit Cleopatra 1960

The black cooperative Cornwall boar achieves single-handedly, so to speak, what the LPG functionaries in Bolbitz fail to do. He takes away the individual farmers' fear of the LPG by secretly covering their sows at night. The black piglets frighten the farmers at first, because black litters mean bad luck and presuppose a sin. Collectivization is seen as a sin by the superstitious, especially Grandma Kahlow. But when even the priest's sow is not spared and they find out who the "culprit" is, the superstition dissolves into laughter and the fear of the LPG is banished.

Sommer, Sonne, AK 8 1956

This documentary, intended to inspire new home filmmakers, tells the stories of ordinary people who learned how to make their own films by renting inexpensive AK 8 cameras. A young couple documents their vacation on the Baltic Sea, a garden plot community celebrates a party, and comrades from a sports club even film themselves playing cards underwater. The film's sarcastically humerous commentary on everyday life plays with clichés and taboos.