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An impressionist sea ponders the movements of creatures, seeing them in its dreams like dots swimming on its surface, carried along by the waves that slow the immense motion of its waters.
Diaristic but also generously expansive, Mary-Helena Clark's disarmingly raw and beautiful The Dragon is the Frame proceeds like an experimental detective film, exploring the enigma of depression in its subtle interplay between presence and absence.
Scraps of text gathered from molding filmstrips and peeling chalkboards are photographed and intercut with pinhole shots from a schoolhouse.
Cillian decides that everything wrong in his life is the fault of Shay, who bullied him as a child, and sets out to get revenge with the help of Shay's sister Fiona, who doesn't know she's helping him.
A shocking secret behind a young boy's death leads to three generations of treachery in the midst of the wealth and decadence of Victorian England.
