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Scratch and Crow is a student film by Helen Hill made at the California Institute of the Arts. It is filled with vivid color and a light sense of humor. It is also a poetic and spiritual homage to animals and the human soul
Helen Hill remembers her grandfather just before his death (in part) by a metaphor involving him as a rapidly diminishing mouse.
Madame Winger wants you to make a film about something you love. She shows you her favorite low budget filmmaking techniques, from cameraless animation to processing your own film in a bathtub. Filmed in 16 mm.
The powerful and inspiring true story of the controversial human rights campaigner whose provocative acts of civil diso bedience rocked the British establishment, revolutionised attitudes to homosexuality and exposed world tyrants. As social attitudes change and history vindicates Peter's stance on gay rights, his David versus Goliath battles gradually win him status as a national treasure. The film follows Peter as he embarks on his riskiest crusade yet by seeking to disrupt the FIFA World Cup in Moscow to draw attention to the persecution of LGBT+ people in Russia and Chechnya.
Wartime romantic melodrama, suggested by a popular song of the same title, with a young woman torn between her love for a naval officer and duty to an injured admirer.
William C. DeMille adapted his screenplay for The Woman on the stage play by DeMille's father Henry and David Belasco. The story is set in Washington D.C., courtesy of the Lasky Studio's scenic department. Lois Meredith plays the title character, a woman of questionable morals currently involved with young politician James Neill. Political boss Theodore Roberts hopes to ruin Neill by making public the young man's romantic entanglements.
A drug dealer is hired to drive a young escort, Kadzo, to and from her clients. He falls in love with her and decides to rescue her from her situation, leading him into an increasing spiral fo troubles.
As 2015 marks a half a century since the Moors murderer was sentenced to life imprisonment, this documentary examines Ian Brady's 50 years in jail. Among the contributors are prison officers, detectives, relatives of victims, pen pals and inmates who served time with him. They reveal how Brady has shown a psychopathic lack of connection with his crimes. Arrested and charged in 1965, he’s never been considered for parole, nor has he asked to be freed.
On a Midsummer’s night, four young lovers find themselves wrapped in the dream-like arms of an enchanted forest where sprites lurk and fairies rule.
