Heddy Honigmann

Heddy Honigmann

73 (1951-10-01)
Lima, Perú

Director.

Most Known for...

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Oblivion 2008 (4.9)

Heddy Honigmann returns to her birthplace of Lima, Peru to reacquaint herself with a place and people dear to her heart. It is about a forgotten city, a forgotten history and a forgotten people. With irony as their loved weapon for survival, they have to forget as well, in order not to give way to cynicism, hatred and grief. It is about remembering the old days when life - despite class differences, corruption and violence - was still good: waiters, bartenders and shopkeepers who are fighting a losing battle and have lost everything. It is also about the children who manage to survive by mastering the art of street life and who reveal the country in it's true colours. Just like the dogs they share the streets with, they have no good memories to forget.
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Metal and Melancholy 1994 (6.8)

This documentary is an offbeat "road movie" in which acclaimed documentarian Heddy Honigmann travels with, and thereby discovers the stories of, taxi drivers in Lima. In the early 1990s, in response to Peru's inflationary economy and a government destabilized by corruption and Shining Path terrorism, many middle-class professionals used their own cars to moonlight as taxi drivers in order to weather the financial crisis.
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Forever 2006 (8.6)

Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos