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This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
In a poor neighborhood of a big city, a crippled mailman is in love with a maid who lives in his building. However, she is in love with a wealthy and handsome young man, who soon disappears. The mailman provides the maid with letters that get her hopes up... but tragedy will soon befall all three.
Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.
Time seems to stand still in southern Burgenland. Not only for the gentle tourism, but also for those men that Katrin Schlösser visits in her impressive documentary. The “buben” or “boys” of various ages referred to in the title tell of their work, everyday life, their families, and mainly about the changes that demands of them, a new image of masculinity. Of a transformation that they have to deal with.
