When a young musician and his wife become witness of a bank robbery they get in the midst of a political conspiracy with the risk of losing their lives.
They are passionate hackers and are constantly looking for new problems and their solutions. They live in what appears to be an infinitely accelerated state of data and information, to which the young Leipzig filmmaker Alexander Biedermann adapted for the time of the film. In doing so, he managed to gain astonishing insights into a scene that the “common user” would otherwise never get to see.
On his documentary journey along the Black Sea coast, documentary filmmaker Stanislaw Mucha paints an idiosyncratic picture of the interface between Europe and Asia.
