Working on the hops fields gathering hops for beer, Filip catches a glimpse of fellow worker/comrade Hanka and falls for her. Trying to keep their love secret from the field owners,fellow worker Honza becomes jealous of Filip having a romance with Hanka, which leads to Honza deciding that he will feed the hop field owners Hanka and Filip's secret romantic hops.
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Even under socialism, which proclaimed the equality of all people, there were status differences. A young bricklayer, who has fallen in love with a college girl from a "better" family, feels this first-hand - the girl's petty bourgeois parents are fundamentally opposed to an unequal relationship from their point of view. In protest, the young lovers decide to live in a tent for the time being and go straight to the park. The surprisingly clueless director Ladislav Rychman has tried to merge disco songs with a tame satire on modern-day rich people.
Antonín Kachlík wanted to make committed films about the moral dilemmas of the working class, but in the era of normalisation, he could only proclaim how faltering individuals would eventually come to the desired thinking. This is also true of the adaptation of Jiří Švejda's book about the wavering career of a young brickmaking technologist - the simplistic drawing of characters and plots, the posterishly lifeless language and the textbook discussion of social ills are all objectionable; the ideal becomes the code of the socialist builder.
