A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.
A movie about the possibility to be happy—or about the impossibility of the same. A young man interviews people on the street. He asks them about the substance of their lives in order to find answers for himself, but he cannot find any. Then, a young woman: after a couple of disappointments, she finds the happy side of life—she finds something like love. They meet each other…
The protagonist, Franz, copies the paintings of old masters. He slowly loses his sense of reality, resulting in angst-ridden fantasies and a desire for self-destruction. Franz has an uphill battle with the loss of values and spread of capitalism around him. He rejects advertising to the point of destroying its manifestations.
