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Gwyn Vaughan

Gwyn Vaughan

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Hedd Wyn 1992 (5.4)

'Hedd Wyn' is a 1992 Welsh anti-war biopic. Ellis Humphrey Evans, a farmer's son and poet living at Trawsfynydd in the Meirionydd countryside of upland Wales, competes for the most coveted prize of all in Welsh Poetry - that of the chair of the National Eisteddfod, which in August 1917 was due to be held in Birkenhead (one of the rare occasions when it was held in England). After submitting his entry, under his bardic name "Hedd Wyn" ("Blessed Peace") Evans later departs from Meirionydd by train to join the Royal Welsh Fusiliers in Liverpool, despite his initial misgivings about the war. Ellis is sent to fight in the trenches of Flanders. 'Hedd Wyn' was the first Welsh-language film to be nominated for an Oscar.


Gwyn Vaughan Jones

Gwyn Vaughan Jones

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N/A N/A (7.322)

The exploits of a team of people whose job is to investigate the unusual, the strange and the extraterrestrial.


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Tender Loving Care 1993

Night nurse Elaine Dobbs may be overworked and underpaid, but she has created a very special atmosphere in her ward and is extremely attentive to her patients. However, rather too many of them are dying.Inspired by the real-life case of four nurses in Austria who were tried for the murder of 42 patients in their care, this chilling drama stars comedian Dawn French in her first serious role, as an apparently irreproachable carer.


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Madam Wen N/A

Based on the novel of the same name by William David Owen.


Gwyn Vaughan

Gwyn Vaughan

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Cymru Fach 2008

A series of vignettes showing the sexual and social connections between a variety of characters in Wales.


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Do Not Go Gentle 2001

Maureen has her hands full at home and can't take care of her father William, who may be suffering from Alzheimer's. Her brothers - Alun, an alcoholic trumpet player, and John, an insensitive businessman - don't really want to help. William, a lifelong socialist, feels angry and resentful towards the British government which has abandoned him in his old age. Having been persuaded by his children to buy a council house in the booming 80s, he discovers that this selfsame government, which made such a virtue of home ownership some ten years earlier, now expects him to sell the property in order to pay for his care. Isolated in old age, Williams secretly decides to put into action a plan to get back at the system.


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