In an attempt to pull her family together, Adèlle travels with her young daughter Sarah to Wales to visit her father. The morning after they arrive, Sarah mysteriously vanishes in the ocean. Not long after, a little girl bearing a striking resemblance to their missing daughter reveals that she has retuned from the dead — and that Sarah has been taken to the Welsh underworld.
A dreamer who aspires to human flight is assigned public service after one of his attempts off a public building. This leads him to meeting a young woman, who is dying of motor neuron disease. The strong-willed woman admits her wish to be de-flowered before her death. The man, struggling to maintain his relationship with his girl friend, declines but offers to help pay for a gigolo to do the deed. The following events play off the inherent comedy and drama of the circumstances.
Told with authenticity and perception, David looks back on the life of a school caretaker in a Welsh mining town, from the marriage and birth of his son to the trauma of a pit accident. David was the first film produced by the BFI, in 1951, and the Welsh selection for the same year’s Festival of Britain screenings in London.
