Movie Cosmos - LookupActor

Actor Antoine Guillaume

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3 Guys, 1 Girl, 2 Weddings 2004 ( 4.6)

Romance meets farce against the backdrop of a quiet campaign to legalize gay marriage. Laurent loves his roommate Dan, who's straight and a playboy. Laurent can't bring himself to tell Dan, but is content to share a flat and to party with him. Then Camille comes along, Dan falls hard, and Laurent is beside himself: he tries to sabotage the relationship, but each effort backfires. After Dan moves in with Camille, Laurent enlists the help of Sam, his new lesbian flatmate, and Nick, a long-time gay friend. As the lovers head toward marriage, Laurent becomes more desperate. His efforts may be having an effect, if not on Dan, then on Camille. Which love will triumph?

Actor Guillaume Antoine

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Mozart: Die Zauberflöte 2018

Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.

L'Amour des trois Oranges - Prokofiev 2007

L'Opéra National de Paris' production of L'Amour des Trois Oranges must certainly be one of the most elaborate operatic presentations. It has a cast of gazillions, characters who fly, jugglers, fire-eaters, remarkably elaborate costumes, amazingly realistic props (those five-foot oranges are convincingly juicy and edible looking), a huge set, fireworks, and so on. In fact, at times, it looks more like a Cirque de Soleil show than something you'd see in an opera house. Director Gilbert Deflo's conception and William Orlandi's costumes and sets are rooted in commedia dell'arte, but the production is thoroughly eclectic, with allusions to a wonderfully weird assortment of styles and periods.