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Late 19th century. Hawalari, a young indigenous girl from the Iny people, who lives in Brazilian Midwest, is faced with a situation that causes her insecurity.
A transgender girl locks herself in her room, safe from the monsters outside that threaten her, until a parallel reality appears behind the mirror, where monsters don’t exist, and people are free to be themselves.
Like the perfect ending of a great film - that is the way filmmaker João describes the end of his 10-year relationship with Hugo. Despite breaking up, they remained best friends. However, reentering the dating scene brought a whirlwind of emotions, revealing that reality can’t be controlled like a movie script.