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Túlio and Vicente are childhood best friends who have been together through many difficult times. As a young man, Vicente faced questions regarding his sexuality. Facing a challenge, which connects with family, identity and his relationship with his best friend.
From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.
