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Gueye Cheick

Gueye Cheick

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The End of a Priest 1969 (6.1)

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.


Cheick Gueye

Cheick Gueye

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Home 2018

In “Home,” artist and filmmaker Kyoko Takenaka unveils a visual and sonic portrait of belonging and memory in four chapters. Calling upon the experiences that underline her otherness as an Asian-American, the film chronicles her contemplations through original song and poetry, as well as video clips, audio recordings and digital conversations captured from real-life experiences over the span of 7 years. Through references to pop culture, racist imitations of Asians, and a defining return to her childhood home, “Home” is a multimedia statement on how the affirmation of culture, resistance and resilience can disrupt enduring myths and redeem our histories.


Cheick Gueye

Cheick Gueye

N/A

N/A


Most Known for...

Movie Picture

Home 2018

In “Home,” artist and filmmaker Kyoko Takenaka unveils a visual and sonic portrait of belonging and memory in four chapters. Calling upon the experiences that underline her otherness as an Asian-American, the film chronicles her contemplations through original song and poetry, as well as video clips, audio recordings and digital conversations captured from real-life experiences over the span of 7 years. Through references to pop culture, racist imitations of Asians, and a defining return to her childhood home, “Home” is a multimedia statement on how the affirmation of culture, resistance and resilience can disrupt enduring myths and redeem our histories.


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