Jade, a Korean-born art student, writes in her diary about encountering anti-Asian racism, sexism, and homophobia in France. Her disillusionment with France, her rage at racists, and the lack of understanding from others all prompted her to reconcile with reality through art.
In Lengshuijiang, balanced in a space made up of official images, an audiovisual program presents itself as a taciturn witness of rigid, modulated, even aberrant moments in which China constantly tried to demonstrate its success through its own fresco, an atypical form in tone of virtual reality.
Through a 3D virtual universe simulated by a game engine intertwined with historical pictures, a lost moment of history can be experienced. The story revolves around the memory of a Chinese survivor of Khmer Rouge. This tragedy, which took the lives of 2 million people, continues to reshape our present in virtue of today's narration.
