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After a vampire leaves his native Balkans, he murders a Czech artist, assumes his identity, and moves in with the dead man's American cousins.
After years of investigation, Assistant District Attorney Martin Ferguson has managed to build a solid case against an elusive gangster whose top lieutenant is about to testify.
The setting is a city block during a sweltering summer, where the residents serve as representatives of the not-very-idealized American melting pot. There is idle chitchat, gossip, jealousy, racism, adultery, and suddenly but not unexpectedly, a murder.
At the dawn of time, explorers set out to examine the world. And even if the geographical limits of our small planet have long since been determined, there are still people who discover the world afresh.
The turn of a year in a snowy village in Sweden documents the need for change and continuance. A collective film about rites and times. Dala-Floda, Sweden, has 680 inhabitants. In the depths of the blue light of winter, six filmmakers ask themselves what it means to start a new year. Emerging locals formulate their views on time and our need for rituals and reoccurring events. Their answers parade poetically through the snowy and cold village landscape. A sort of time travel takes place and recalls ordinary as well as extraordinary memories and identities. The commonplace is our need for measuring time, our need for a beginning and an end. A ninety-year-old woman shows a way out of the never-ending dream phase of the evoked Phantom Carriage (Selma Lagerlöf) and exclaims: "Really, you ought to reset yourself. You have to feel completely at zero again".
