La Cage aux Folles 1978 ( 6.816)

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

One Hundred Days in Palermo 1984 ( 6.898)

In the late 1970s and early 80s, assassinations in Sicily get the attention of Communist deputy, Pio La Torre, who appeals to General Carlo Alberto Dalla Chiesa to become prefect in Palermo and take on the Mafia. Dalla Chiesa approaches the job with the same focus and methods he used in hunting down the Red Brigade.

Il sasso in bocca 1970 ( 5)

The "stone in the mouth" is the scar that the mafia makes on betrayal's corpse. The modern mafia has the historical and sociological roots into the birth of the american capitalism at the time of Roosevelt. The American "Cosa Nostra" applies the similar methods as the sicilian mafia: same apparatus, same "omertà", same power and same terror. Giuseppe Ferrara, journalist and writer, uses fragments footage, film clips, and current news to make this film.

The Anonymous Venetian 1970 ( 7.323)

Without mentioning the reason, Venetian musician Enrico invites his ex-wife Valeria to visit him, and her heart is broken again during their last days together.

A Quiet Place in the Country 1968 ( 6.3)

A painter facing a creative block arranges to spend the weekend in the country at his mistress's villa. While staying there, his sanity begins to disintegrate.

Nel cerchio 1976

Giorgio Sandrini, a seventeen year old Sardinian guest of his Venetian aunts, and is employed as an apprentice in Murano. He becomes involved in a series of misadventures and ends up in a re-education centre for minors. But there he is educated only in violence ...

Il Trovatore (La Scala) 2014

To stage Verdi's Il Trovatore, according to Arturo Toscanini, you need to bring together the four best singers in the world. This stunning production at Milan's La Scala unites four luminaries of today's opera scene to great effect: with his lilting legato, Marcelo Álvarez (Manrico) does justice to the opera's bel canto character; Franco Vassallo brings assurance and flair to the Count di Luna; Maria Agresta (Leonora) effortlessly rises to the challenges of the score; and Ekaterina Semenchuk (Azucena) also masters the most difficult notes. With the fastidious Daniele Rustioni leading La Scala's world-class orchestra, the music leads the action apace, resounding alongside the hall's legendary chorus and amid monumental sets and decor in this sublime production of one of the world's favorite operas.

Just a Little Chemistry 2015 ( 5.5)

Fan girl finds herself torn between the attraction for her film idol and her best male friend.

Centootto N/A

Quando vi minha alma N/A