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Giorgio Patara

Giorgio Patara

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Most Known for...

Movie Picture

Our Lady of the Turks 1968 (6.5)

To the protagonist, an intellectual so feverish that he seems pathologically unrecoverable, a confused memory resurfaces of a massacre carried out by the Turks in Otranto. Immersing himself in one of the victims, in the unconscious desire to eviscerate himself, a woman appears to him, Margherita, who, in the guise of Santa Maria d'Otranto, treats him with compassionate love. In the hallucinating succession of memories intertwined with historical events, the protagonist finds himself in contact with his environment, his land, his country.


Movie Picture

Hermitage 1968 (7.2)

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.


Movie Picture

I Kill, You Kill 1965 (4.2)

Six sketches with as many ways of murdering someone, and getting away with it.


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