Matt Gill

Matt Gill

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N/A N/A (6.2)

Drama following the life and times of disgraced Labour politician John Stonehouse, a high-flying minister under Prime Minister Harold Wilson’s government vanished from the beach of a large luxury hotel in Florida in November 1974, leaving a neatly folded pile of clothes as he swam into the sea, intent on faking his own death.
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Dead End 2012 (3.9)

Carl Foster takes off on a well-deserved weekend break with his family knowing only too well that focus on work has impacted his relationship with his wife, young son, and teenage step-daughter. But after a short but restful break in the journey Carl awakens to find himself tied and bound in an old roadside diner, his family trussed and gagged next to him, and a disparate group of dirty, disheveled, vagrant-like undesirables keeping them captive. Only time will reveal who they are and what they want, but things are not everything they might seem.
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Blue 2009

With Fee delayed at work, Saskia, his wife, and Phillip, his best friend enjoy an evening together which ends in disaster. A tragic twist to the tale leaves Saskia heartbroken and guilt-ridden. Blue explores humanity's fatal flaws, our weaknesses and how hidden insecurities can tear our worlds apart.
Matthew E. Gill

Matthew E. Gill

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Gilles Mattana

Gilles Mattana

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If you missed the beginning... 2015 (5.9)

Jean-Luc Lemoine is back for a one-man show full of cynicism and self-mockery.
Gill Matt

Gill Matt

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Les Cinq Dernieres Minutes is a crime based French television series
Gill Matt

Gill Matt

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Year of the Jellyfish 1984 (5.8)

Chris, a sexy teenager who appears mostly bare-breasted on the French Riviera, has a crush on Romain, her mother's lover. In reaction to her inability to attract his attention, she experiments with other risque affairs.
Gilles Matte

Gilles Matte

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Yellow Room 2002 (5.333)

The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.
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The End of Our Love 2003 (5.7)

Pieces of memories restitute what remains from a lost love.