Éric Rohmer

Éric Rohmer

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My Night at Maud's 1969 (7.708)

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.
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Claire's Knee 1970 (7.3)

On the eve of his wedding, on holiday on the Lake Annecy shore, a career diplomat visits an old acquaintance, perhaps a former girlfriend. Through her he meets an intense teenager, Laura, and then lusts after her sister, Claire. Whilst Laura attempts to flirt with him, his fantasy becomes focused on wanting to caress Claire's knee.
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The Green Ray 1986 (7.462)

A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.
Gilbert Cordier

Gilbert Cordier

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The Way of the Ink 2011 (7)

Horitoshi Sensei is one of the last accomplished masters of irezumi, the art of traditional Japanese tattoo. Pascal is a young French journalist specialized in tattoo who discovered Horitoshi’s designs in a magazine and felt in love with them. Although he does not have much money, Pascal decided to go to Tokyo to have all his back tattooed by Horitoshi. When the film starts, he is at his fourth trip, but his tattoo is far from being finished. Pascal is our guide in this travel to discover irezumi.
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Tales of the Baron N/A

Checco. A splendid loser who'd like to be a gangster, just like in the movies. Angie. A young woman who desperately tries to be normal. When he finds himself dragged into a life-threatening plot, she's the one who'll get to save him. Together, they'll forge their best creation: the Baron. Just like them, a no-budget film which passionately dreams to be like a true film noir, with its plot as clear as mud, crossed by hints of fantasy and absurd, under the influence of Boris Vian and Dashiell Hammett.