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Giacomo Rossi Stuart

Giacomo Rossi Stuart

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Kill, Baby... Kill! 1966 (6.9)

A 20th century European village is haunted by the ghost of a murderous little girl.


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The Last Man on Earth 1964 (6.6)

When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.


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War Between the Planets 1966 (5)

Scientists try to prevent a collision between Earth and a planet that is heading for it.


Giacomo Rossi

Giacomo Rossi

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Rinaldo - Bayerische Staatsoper 2001

This modern interpretation of Georg Frederick Handel's opera focuses on Rinaldo's attempts to break free from enchantress Armida and reunite with his true love, Almirena. In addition to the live performance, the program also includes a Handel documentary, which explores the composer's career and many achievements.


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Georg-Friedrich Handel: Rinaldo 2018

In this 2018 performance of Handel’s 'Rinaldo,' the knight Rinaldo embarks on a quest to rescue his beloved Almirena from the sorceress Armida set during the first Crusades.


Giacomo Rossi

Giacomo Rossi

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Natural Resistance 2014 (6.2)

Ten years after Mondovino, his analysis of the increasingly standardised wine production in France, wine expert Jonathan Nossiter picks up the thread again and shows what it means to be rooted in the soil you're working on. During walks through the vineyards and relaxed gatherings with a group of alternative Italian wine growers, he trades experiences and arguments. What looks like a bucolic paradise, where intelligent people produce wine according to time-honoured and organic methods, is actually revealed to be a battleground. The DOC association, which is supposed to look after the interest of independent vintners, promotes winemakers who produce vast amounts in a standardised quality; and the agricultural industry with its hygiene regulations excludes traditional methods of production. The only thing saving the landscape from being totally destroyed is affluent foreigners using the old vineyards as summer holiday homes.


Giacomo Rossi

Giacomo Rossi

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I clandestini del cinema italiano 2006

Antonio Rezza and Flavia Mastrella are two artists that use their bodies like objects. Their works are exaltations of the object compared to the subject. The interpreter is more important than the author. The role of artistic expression is to represent what is not there. Cinema is an improper weapon because it is in the wrong hands. The solution would be - according to the two artists - for cinema as well as all art to be managed by those who have imagination and who are not down to earth.


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