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Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.
A portrait of a family in Berlin in the late 1970s, this film focuses on the mother.
Former classmates at a school in the Southern Germany city of Ulm, Jewish and non-Jewish, recall their childhood in Nazi Germany.
During a production of "Hamlet", the withdrawn lead actor and the girl playing Ophelia, who has just escaped a life of drugs and prostitution, spark an unlikely and low-key romance.
