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Family saga set in 19th century Germany, chronicling the lives of three generations of the Buddenbrook family, the owners of a family business in the northern town of Luebeck. Based on the novel by Thomas Mann.
In the Warsaw ghetto in 1943, Jews rise against the Nazis.
A real time recreation of the 1942 Wannsee Conference, in which leading SS and Nazi Party officals gathered to discuss the "Final Solution to the Jewish Question". Led by SS-General Reinhard Heydrich, the Wannsee Conference was the starting point for the Jewish Holcaust which led to the mass murder of six million people.
The ZDF-Hitparade, or Hitparade for short was one of the most popular and most well-known music television series presenting mostly German Schlager.
13 August 1961: the GDR closes the sector borders in Berlin. The city is divided overnight. Escape to the West becomes more dangerous every day. But on September 14, 1962, exactly one year, one month and one day after the Wall was built, a group of 29 people from the GDR managed to escape spectacularly through a 135-meter tunnel to the West. For more than 4 months, students from West Berlin, including 2 Italians, dug this tunnel. When the tunnel builders ran out of money after only a few meters of digging, they came up with the idea of marketing the escape tunnel. They sell the film rights to the story exclusively to NBC, an American television station.
A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.
