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Georges Arnaud

Georges Arnaud

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The Wages of Fear 1953 (8.019)

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.


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Sorcerer 1977 (7.4)

Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting several cases of dynamite (which is so old that it is dripping unstable nitroglycerin) across dangerous jungle terrain.


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The Wages of Fear 2024 (6.22)

When an explosion at an oil well threatens hundreds of lives, a crack team is called upon to make a deadly desert crossing with nitroglycerine in tow.


G.J. Arnaud

G.J. Arnaud

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Les longs manteaux 1986 (4.917)

A reporter becomes involved with a band of terrorists hiding in the mountains between Peru and Bolivia.


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Zone Red 1986 (6.4)

Claire Rousset visits her ex-husband Pierre who lives in the Lyon region. For some time now, Pierre's health and that of the other inhabitants of the village has deteriorated to the point of becoming worrying.


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Sin on the Beach 1963 (4.9)

A moody pianist-composer and his voluptuous strip-tease dancing babe are avoiding reality at a French seaside resort. The resort's young female manager has a dying husband on her hands, and becomes attracted to the composer. When the husband dies, accusations and recriminations fly, combined with various betrayals and jealousies.


Georges Arnaud

Georges Arnaud

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Most Known for...

Movie Picture

Tahia Ya Didou ! 1971 (8.25)

Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.


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