Little Tsatsiki, son of a single mother in Sweden, has never met his father, a Greek fisherman. Tsatsiki befriends a nice but straight-laced motorcycle policeman renting one of their rooms and decices he is the right guy for his mother, an amateur rock singer in love with her band's bass player.
When Tsatsiki's girlfriend breaks up with him, his world falls apart in a few weeks. His best friend abandons him, and the trip to Greece may be cancelled. Luckily, Tsatsiki has his grandfather and together they go on a trip to Greece, where Tsatsiki will learn what's most important in life.
Hanna, Brian and Jesper have been friends ever since they can remember and are just about to move together. That summer they go to the Hultsfred Festival along with Brian's new girlfriend Karola. Hanna falls asleep early one night and when she wakes up everything is different between the four of them. Hanna still doesn't know what happened that night when she and Jesper return to their home in Stockholm. But one thing is for sure, the events that took place led to many lies, and some truths.
N/A
The film reveals the inventiveness derived from the dialogue between each artist's practice and the construction of their handmade homes. The results range from the romantic (Hudson River School painter Frederic Church's Olana, framing views of the Catskills to echo his paintings), to the futuristic (Urbanist Paolo Soleri's silt-casted structure Cosanti growing out of experiments in bell making in the Arizona desert). Commentary from cultural critic Alastair Gordon and an original score by Jamie Rudolph help to evoke the spiritual dimension of the locations and argue the case that the intuitive vision of artists can create great architecture.
