Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.
Necip Sarıcı is one of the shining lights of our cinema. Sound engineer, photographer, writer, producer, collector, who felt as if he entered the treasure room of Topkapı Palace when he entered the sound room at Lale Film Studio...He is one of the most important building blocks of our cinema. The history of cinema in our country is carried to the present day thanks to his enormous collection.
36 consists of diapositive photographic frames of a promotional catalogue designed for a nuclear power plant in France in the 1980s. A dialogue is established between the past, the present and the future with thirty-five of the thirty-six frames in the catalogue. While the film takes you on a tour through the institute, it focuses only on emotions.
