Le Plaisir 1952 ( 7.536)

Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falling in love with his model - pleasure and death.

The Image Book 2018 ( 6.4)

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

The Truth About Bebe Donge 1952 ( 7.117)

François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.

Le miracle de Lourdes 1926

Un fil à la patte 1925

Language Lessons 2021 ( 6.7)

A Spanish teacher and her student develop an unexpected friendship.

Where I'm From 2014 ( 8)

A CHILDHOOD. A NEIGHBORHOOD. AN ODE TO LIFE One-of-a-kind autobiography narrated and filmed with great sensibility and beauty. Its exceptional cinematic quality offers a visual treat to a Quebec rarely seen before. This poetic take on childhood memory transcends simple nostalgia for a sincere celebration of life. Claude Demers returns to the working-class district of Montréal where he grew up, and immediately wonders: Why? The rest of Where I'm From forms the answer. Demers tries to relive all the experiences he had for the first time as a child, or at least understand them: the first novel he read and the power of language. His first awareness of death. The question of what is normal and what isn’t. The idea of wanting to leave, of having to leave.