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The film evokes count Pongrácz, who, as late as the 19th century, managed to live a life, which reminds one of his medieval ancestor's values. He acts in defiance of the town by fighting his own battle against it, having been offended by the town.
Faithful to his word, Michael Tímar, captain of the St. Barbara, becomes the guardian of Kondya, daughter of a Turkish aristocrat on the run. Later, he weds the grateful young Turkish girl whom he saved from the waters of the Danube. While skillfully managing his wife's fortune, entrepreneur Tímar becomes an important wholesaler of wheat and exports his products to Brazil. But his marriage of convenience proves a failure. He is torn between the demands of bourgeois civilization, governed by money, and the ideal of freedom, consisting of living simply within nature. He then takes refuge by the side of the sweet Noemi on an island on the Danube.
Set in the "Golden Era" of the wandering Hungarian theatre troupes. Mariska and Liliomfi fall in love without suspecting that Mariska's foster father, Professor Szilvay, is also Liliomfi's uncle. Soon the couple must contend with the professor's plan to make Liliomfi give up his "unrespectable" profession of acting by exposing the professor's hypocrisy, greed, and tyrannical selfishness.
A pair of inept detectives dream of a more thrilling caseload. Then a dead body turns up and they are accused of murder and pulled into a world of mayhem, torture-and laughs.
