Fumiya Tanaka

Fumiya Tanaka

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N/A N/A (7.6)

Pingu and his family move from their small village to the big city; in which there are many people with many different occupations. The ever-curious Pingu tries to join them at their jobs, but his mischievous side gets the better of him and he ends up messing things up.
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N/A N/A (8.2)

In the near future, a Virtual Reality Massive Multiplayer Online Role-Playing Game (VRMMORPG) called Sword Art Online has been released where players control their avatars with their bodies using a piece of technology called Nerve Gear. One day, players discover they cannot log out, as the game creator is holding them captive unless they reach the 100th floor of the game's tower and defeat the final boss. However, if they die in the game, they die in real life. Their struggle for survival starts now...
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Gintama: The Very Final 2021 (8.2)

The concluding film to the Gintama animated series, adapting the final chapters of the comic series of the same name by Hideaki Sorachi. The film covers chapters 699–704 of the original comics, with original material added in.
Fumiya Tanaka

Fumiya Tanaka

53 (1972-05-21)
Fukuchiyama, Kyoto Prefecture, Japan

Fumiya Tanaka (田中 フミヤ, Tanaka Fumiya, May 21, 1972) is a Japanese techno musician, music producer, and DJ from Fukuchiyama City, Kyoto Prefecture who lives in Berlin, Germany. His real name is Fumihiro Tanaka (田中 文也, Tanaka Fumihiro). In recent years his creative works are on his own label, Sundance.

Most Known for...

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Tokyo Eyes 1998 (6.7)

The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.
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Modulations 1998 (7.3)

Less a documentary than a primer on all electronic music. Featuring interviews with nearly every major player past and present, as well as a few energetic live clips, Modulations delves into one of electronica's forgotten facets: the human element. Lee travels the globe from the American Midwest to Europe to Japan to try to express the appeal of music often dismissed as soulless. Modulations shows that behind even the most foreign or alien electronic composition lies a real human being, and Lee lets many of these Frankenstein-like creators express and expound upon their personal philosophies and tech-heavy theories. Lee understands that a cultural movement as massive and diverse as dance music can't be contained.